
Pier Exhibitions - Coast City
Coast City brings together two distinct artistic approaches by three artists to İzmir’s coastal geography and urban memory. ...

Visual Narrative Workshop
...
FACULTY OF FINE ARTS AND DESIGN
Department of Visual Communication DesignCourse Name |
Typographic Design I
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
VCD 203
|
Fall
|
2
|
2
|
3
|
4
|
Prerequisites |
None
|
|||||
Course Language |
English
|
|||||
Course Type |
Required
|
|||||
Course Level |
First Cycle
|
|||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | - | |||||
National Occupation Classification | - | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | Basics of typographic design; historical researches on typography; the terminology of typography |
Learning Outcomes |
The students who succeeded in this course;
|
Course Description | This course provides students with a historical overview of type and letterforms. It deals with the rules, type classifications, type styles, type families and typographic applications. Presentations, studio critiques, and class discussions allow the student to develop a vocabulary and a critical framework for writing and speaking about typographic skills, techniques, and practices. In this course, the students develop conceptual, analytical and practical skills through an analysis of projects and examples. |
Related Sustainable Development Goals |
|
|
Core Courses |
X
|
Major Area Courses | ||
Supportive Courses | ||
Media and Management Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Related Preparation |
1 | Exercise | |
2 | P01 Project launch | |
3 | P01 Project delivery | |
4 | P02 Project launch | |
5 | P02 | |
6 | P02 | |
7 | P02 | |
8 | P02 | |
9 | Midterm week | |
10 | P02 Project delivery | |
11 | P03 Project launch and quiz | |
12 | P03 | |
13 | P03 | |
14 | P03 | |
15 | P03 Project delivery | - |
16 | Review of the semester |
Course Notes/Textbooks | |
Suggested Readings/Materials | Ambrose, G., Harris, P. (2011). Tipografinin Temelleri.İstanbul: Literatür Yayınları. ISBN: 978-975-04-0621-8 Ambrose, G., Harris, P. (2011). The Fundamentals of Typography. Ava Publishing. ISBN: 9782940411764 Craig, J. (1990). Basic Typography: A Design Manual, New York: Watson-Guptill Publications. ISBN-10: 0823004511 Craig, J. (1992). Designing with Type: A Basic Course in Typography. New York: Watson-Guptill Publications. ISBN-13: 978-0823013050 Carter, R., Day, B., Meggs, P. B. (2012). Typographic Design: Form and Communication. New Jersey: John Wiley & Sons. ISBN-13: 978-0470648216 Hill, W. (2010). The complete Typographer: A foundation Course for Graphic Designers Working with Type.London: Thames & Hudson. ISBN: 978-0-500-28894-8 Sarıkavak, N. K. (2009). Çağdaş Tipografinin Temelleri.Ankara: Seçkin Yayıncılık. ISBN: 975-347-772-4
|
Semester Activities | Number | Weigthing |
Participation |
1
|
10
|
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques |
1
|
10
|
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury |
-
|
|
Project |
1
|
80
|
Seminar / Workshop | ||
Oral Exams | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade |
2
|
20
|
Weighting of End-of-Semester Activities on the Final Grade |
1
|
80
|
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
2
|
32
|
Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
2
|
32
|
Study Hours Out of Class |
7
|
3
|
21
|
Field Work |
0
|
||
Quizzes / Studio Critiques |
1
|
3
|
3
|
Portfolio |
0
|
||
Homework / Assignments |
0
|
||
Presentation / Jury |
-
|
0
|
|
Project |
4
|
8
|
32
|
Seminar / Workshop |
0
|
||
Oral Exam |
0
|
||
Midterms |
0
|
||
Final Exam |
0
|
||
Total |
120
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
1
|
2
|
3
|
4
|
5
|
|||
1 |
To be able to apply the fundamental principles of design in creating visual narratives and messages, using physical and digital media, |
X
|
-
|
-
|
-
|
-
|
|
2 |
To attain complex problem-solving skills, using various design methods, |
-
|
-
|
-
|
-
|
-
|
|
3 |
To have a clear understanding of creative/art direction, |
-
|
X
|
-
|
-
|
-
|
|
4 |
To be able to use the advanced theoretical and applied knowledge attained in the areas of Visual Communication Design, |
-
|
X
|
-
|
-
|
-
|
|
5 |
To act with social and ethical awareness and to take responsibility, both individually and collectively, for developing aesthetic and effective design solutions, |
X
|
-
|
-
|
-
|
-
|
|
6 |
To be able to investigate, interpret and evaluate the developments on Visual Communication Design in the world and in Turkey, |
X
|
-
|
-
|
-
|
-
|
|
7 |
To have an advanced level of knowledge and experience in producing/editing still and moving images, |
-
|
-
|
-
|
-
|
-
|
|
8 |
To attain proficiency in using related software, media, and communication technologies, |
-
|
-
|
-
|
-
|
-
|
|
9 |
To gain reflexive and critical thinking abilities, |
-
|
X
|
-
|
-
|
-
|
|
10 |
To undertake self-directed and continuous education in the discipline, to develop a lifelong learning attitude, |
-
|
-
|
-
|
-
|
-
|
|
11 |
To be able to collect data in the areas of Visual Communication Design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1), |
-
|
-
|
-
|
-
|
-
|
|
12 |
To be able to speak a second foreign at a medium level of fluency efficiently, |
-
|
-
|
-
|
-
|
-
|
|
13 |
To be able to relate the knowledge accumulated throughout human history to their field of expertise. |
X
|
-
|
-
|
-
|
-
|
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
Coast City brings together two distinct artistic approaches by three artists to İzmir’s coastal geography and urban memory. ...
...
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