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      FACULTY OF FINE ARTS AND DESIGN

      Department of Visual Communication Design

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      MMD 301 | Course Introduction and Application Information

      Course Name
      Design Studio III
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      MMD 301
      Fall
      2
      6
      5
      10

      Prerequisites
      None
      Course Language
      English
      Course Type
      Required
      Course Level
      First Cycle
      Mode of Delivery -
      Teaching Methods and Techniques of the Course Discussion
      Group Work
      Problem Solving
      Case Study
      Q&A
      Critical feedback
      Jury
      Field trip / Observation
      Application: Experiment / Laboratory / Workshop
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator
      • Dr. Öğr. Üyesi Daniele SAVASTA
      Course Lecturer(s)
      • Dr. Öğr. Üyesi Daniele SAVASTA
      • Öğr. Gör. Dr. Özgür DEMİRCİ
      Assistant(s) -
      Course Objectives The aim of this course is to guide students through an individual and collective practice of digital design. It consists of two medium scale practice based projects that address skills inclusive of visual research, analysis, methodology, aesthetics, materials, context, audience, prototyping, proofing, exhibiting. Students develop strategies and solutions that give form to print, screen and built or three dimensional environment. Students are expected to produce high quality creative outcomes and provide formal and conceptual solutions to open ended briefs.
      Learning Outcomes

      The students who succeeded in this course;

      • Generate a body of original visual research using established or self-designed methodologies
      • Use categorization and classification methods to organize visual research in accordance with a well-defined criteria
      • Apply problematization skills for generating design solutions from research
      • Recognize a need for developing individual strategies for work management and self-motivation
      • Evaluate, select and work within appropriate media for prototyping and outputing a range of designs
      • Critically reflect upon and document development of own designs using a variety of self-reflection methods including blogs, sketchbooks etc.
      • Exhibit final designs to a high degree of craftsmanship.
      Course Description Digital Design Studio I is a practice based studio course designed to strengthen the ability of students to develop and apply visual methodologies in designing for today’s user centered multimedia driven society. Teaching consists of critics, seminars, lectures, work-shops and independent study. With a dialogic and participatory approach to the studio, students are required to bring work for discussion to each class.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      X
      Major Area Courses
      Supportive Courses
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Project 1 - Launch
      2 Project 1 - Introduction to coding
      3 Project 1 - Project development
      4 Project 1 - Project development
      5 Project 1 - Mid crit with external guest
      6 Project 1 - Final crit, Project 2 - Launch
      7 Project 2 - Project discovery
      8 Midterm week
      9 Field trip
      10 Project 2 - Project definition
      11 Project 2 - Project development
      12 Project 2 - Project delivery, Mid crit
      13 Project 2 - Project review and documentation
      14 Project 2 - Final crit
      15 Semester review
      16 Semester review

       

      Course Notes/Textbooks

      Tidwell, J., Brewer, C. and Valencia, A. (2020) Designing interfaces: Patterns for effective interaction design. Sebastopol, CA: O’Reilly Media.

      Levin, G. and Brain, T. (2021) Code as creative medium: A handbook for computational art and design. Cambridge, MA: The MIT Press.

      Lupton, E. et al. (2024) Thinking with type: A critical guide for designers, writers, editors, and students. New York, NY: Princeton Architectural Press.

      Suggested Readings/Materials

      Shiffman, D., Fry, S. and Marsh, Z. (2012) The nature of code. United States: D. Shiffman.

      Coles, S. (2013) The anatomy of type: A graphic guide to 100 typefaces. New York, NY: Harper Design.

      Further resources will be provided during the course hours.

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      16
      10
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      1
      10
      Presentation / Jury
      -
      -
      Project
      2
      80
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      Total

      Weighting of Semester Activities on the Final Grade
      4
      100
      Weighting of End-of-Semester Activities on the Final Grade
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      2
      32
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      6
      96
      Study Hours Out of Class
      0
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      12
      1
      12
      Presentation / Jury
      -
      0
      Project
      2
      80
      160
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      0
          Total
      300

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to apply the fundamental principles of design in creating visual narratives and messages, using physical and digital media,

      -
      -
      -
      X
      -
      2

      To attain complex problem-solving skills, using various design methods,

      -
      -
      -
      X
      -
      3

      To have a clear understanding of creative/art direction,

      -
      -
      X
      -
      -
      4

      To be able to use the advanced theoretical and applied knowledge attained in the areas of Visual Communication Design,

      -
      -
      -
      X
      -
      5

      To act with social and ethical awareness and to take responsibility, both individually and collectively, for developing aesthetic and effective design solutions,

      -
      X
      -
      -
      -
      6

      To be able to investigate, interpret and evaluate the developments on Visual Communication Design in the world and in Turkey,

      -
      X
      -
      -
      -
      7

      To have an advanced level of knowledge and experience in producing/editing still and moving images,

      -
      -
      X
      -
      -
      8

      To attain proficiency in using related software, media, and communication technologies,

      -
      -
      -
      -
      -
      9

      To gain reflexive and critical thinking abilities,

      -
      X
      -
      -
      -
      10

      To undertake self-directed and continuous education in the discipline, to develop a lifelong learning attitude,

      X
      -
      -
      -
      -
      11

      To be able to collect data in the areas of Visual Communication Design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1),

      -
      -
      -
      -
      -
      12

      To be able to speak a second foreign at a medium level of fluency efficiently,

      -
      -
      -
      -
      -
      13

      To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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